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The live TV programme Victory Hoking on SBS was one of many call-in shows, following Coba on the Run on the same channel. The show first aired on April 1st, 19967. Just like Coba, the games were also released for retail.

There are five mini games: One has Hoking ride on a rocket to take out enemies in a tunnel-shooter, in another he rides on a flying carpet and has to catch baloons before his old ones run out of air. The remaining three games can all support two players, where one takes control of Hoking's ogre friend. The sidescrolling shoot 'em up and pseudo-3D hack & slash games are both cooperative, while players combat each other in the last, a simplistic fighting game.

Show host Jin Jaeyong with the mascot Hoking (photo: The Hankyoreh)

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Wangdo-ui Bimil was based on a 3-part novel series with the same title by Choe Inho and produced in cooperation with SBS productions. It was advertised as Korea's "first 3D polygon action adventure game," although it used pre-rendered backgrounds like Resident Evil. The Ministry of Culture, Sports and Tourism awarded the game with the Grand Prize at its second Korean Game awards in 19978.

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This RPG with the dark prerendered graphics was HIC's first non-licensed game.

Realistic racing games have been exceptionally rare in Korea, mostly due to the licensing fees required to get actual cars into the game. But another cooperation, this time with Daewoo, put HIC Infocomm in the position to produce the first domestically-developed of its kind. According to a later interview, with vice president Kenneth Shim, Power Rally 98 was one of the reasons that convinced EA that the company would be up to co-developing Tiger Woods PGA Tour 20003.

A city building simulation like Sim City, Virtual Seoul was produced by request of the city of Seoul9. The premise of the game is to improve the capital's infrastructure for the upcoming soccer World Cup in 2002.

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As a commercial follow-up to Virtual Seoul, this game adds the Sout Korean cities Busan, Daegu, Gwangju, Daejeon, Incheon and Ulsan as templates, and even Pyongyang in North Korea.

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While the predecessor of this kiddie platformer was developed by the unrelated company J3 Interactive, Digital Dream Studio's homepage listed the sequel as their own10. Other sources attributed it to a Team 2G, which could have been a division inside of DDS.

With Dooly-ui Kkanttappia Game League, Digital Dream Studio went back to their roots. Like Narara Hoking, the title is divided into five mini games,

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Following after Geisters, Run=Dim was one of the earliest animated movie cooperations between Korean and Japanese companies. While Idea Factory took care of the story and co-directing, the CGI, animation and motion capturing was all done in Korea.

The game side of the Run=Dim project, however was rather in the Japanese company Idea Factory's hands, who developed The Mechsmith: Run=Dim (PS2) and Run=Dim as BlackSoul (Dreamcast). The horizontally scrolling shmup with Super Deformed mechas in place of the semi-realistic visuals of the original, however, was made by Digital Dream Studio. Apparently at one time it was planned to publish the game in Korea as well11 (the WonderSwan Color was officially distributed by Young Toys), but the Japanese release remained the only one.

Animated series still

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Digital Dream Studio's final game was once again a comic book license, based on a series by Huh Youngman (Gaksital). The official homepage saw the game scheduled for July 2002, but somehow the game didn't come out before Candy Global Media published it in 2004, when retail PC games in Korea were all but dead and gone, and even DDS itself would have been near their end, if they still existed at all. Needless to say, the Xbox version that was also planned remained a pipe dream like all other Digital Dream Studio games for the console.

The game itself is a neat little platformer for kids, with 5 stages extremely short and quite easy. Although it's possible to move in three dimensional space, Mangchi feels more like a "2.8D" game of some sorts, as most elements are aligned rectangular and one ussually only has to coordinate movement along one axis at a time. Like in more recent Super Mario Bros. episodes, unlimited continues make extra lives mostly pointless, and the only "challenge" in the game comes from some wonky physics that lead to a few frustrating passages. Fighting enemies feels a bit weird, too, as the hero can only whack them on the head with his huge mallet as long as he's outside the yellow circle that surrounds them.

It's still not too bad in a theme park ride kinda sense. The graphics are bright and colorful with some genuinely beautiful background sceneries despite low-end technology. There are many exciting intermissions, like when Mangchi has to flee towards the screen from a giant robot, steers a flying pirate ship through a canyon or slides down a cave.

Comic Book Vol. 1