Produced by Danbi with support by Goldstar, this game is introduced at the Danbi profile.

An edutainment / multimedia game aimed at children. The title very obviously rips off the Dooly franchise.

Goldstar directly hired the first absolvents of their game school as the internal team Sanjini, and assigned them to produce an RPG based on the winning entry of a 1993 scenario writing competition11. The tale around the search for a magical flute whose music was the only means to bring peace back the insurgence-ridden country is rooted in Korean folklore, but for once the writer didn't base it directly on a particular folk story like the Hong Gildong-jeon. It rather takes historical places, events and persons like the scholar Heo Gyun to weave an intriguing story, which makes it one of the more unique titles in Korea's early PC game history.

The final product they presented about a year later showed itself in tune with the genre's origins on the peninsula. Just like Sin'geom-ui Jeonseol seven years before, Iljimae-jeon was clearly inspired by the Ultima franchise, but also the influence of more simplistic approaches began to show. So the player would be able to grab everything that wasn't nailed to the wall and engage in extensive conversations via keywords, but the combat system turned out very akin to games like Dragon Quest.

From LG's Dolkkot Studio hails one of the many games based on Korea's flagship folk tale, or in this case rather based on the animated movie based on the tale.

Like most adaptions of animated movies for kids, Doraon Yeongung Hong Gildong is a platformer, not unlike many close-to-contemporary Disney video games (Aladdin, Lion King, etc.).

Yet the Korean game doesn't adhere to the same quality standards as those, and besides its share of bugs, the gameplay feels unpolished. When hit, Hong Gildong gets thrown back, which not only can cast him off cliffs, but also straight through walls that are otherwise impenetrable. The collission detection is so brutal that it's often almost impossible for the hero to hit enemies with his sword without getting hit himself, quickly forcing him to use up his limited supply of ranged attacks. For that reason the third boss (about halfway through the game) already is next to invincible without a huge amount of luck.

Once again flaws almost typical for Korean games in this period, obvious lack of balancing and bugfixing, spoil a product that could have turned out quite nice with just some more time and money for the development. The level design feels inspired, with short cuts and hidden pickup items aside from the straight path to the exit, and the presentation is on par with the aforementioned Disney games. Cute ingame graphics and (semi-)orientalistic tunes are supplemented with funny clips from the movie in between levels, although encoded in low quality.

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Goldstar/LG had bet on a losing horse in the console business with the 3DO, but they put up a fight like no other of the console publishers in Korea, securing deals for a number of exclusive 3DO games never sold outside of the peninsula. Firewall though was released in North America as well, if only as a PC version. No wonder, as Firewall was officially produced in cooperation with the US-based Visionary Media. Cooperation in this case apparently meant that LG's participation was mostly limited to funding and publishing, as the staff directly involved in the game was almost all-American (or at least not Korean).

The game is a FMV-based shooter like Star Wars: Rebel Assault. There are first person levels where the player is limited to shooting the enemies with a somewhat awkward aim, but also stages played in a 3rd person view with obstacles to avoid. More than half of the game takes place in "cyberspace" which makes for some way-out looking graphics, in a 1990's sense. For what it is, Firewall is a fairly competent game, but the action grows unreasonably hard fast.

One cannot help but think that the American developers didn't quite get what the Koreans wanted of them, though, what with the setting in a futuristic China and a Japanese main actor in the hilariously badly acted cutscenes. Feels like "It'll do as long as it's gonna be kinda Asian-ish".

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Although it was developed by an independent team called Shin's Entertainment, LG secured Battle Blues as an exclusive title for their 3DO system. The SRPG puts a strong focus on story, which is told in FMV sequences. These are hand-drawn and are quite atmospheric with their sketchy look, although the animation is very basic, often they just string together a number of stills.

While the visual design reminds of famous squad-based TBS, the gameplay is a far cry from the tactical finesse of a X-Com or Jagged Alliance. The strategic options are limited to buying and selling weapons in betweeen skirmishes, which are fought out strictly turn based. Enemies are visible from the very beginning, line-of-fire is implemented all too rudimentarily. (Humans in between shooter and target are ignored wholesale, while immobile obstacles are always treated like solid walls, no matter how small they are.) Dead allies are always revived in the next part of the mission, only when the leader bites the dust it's instant game over. Ammunition (or the lack thereof) carries over though.

In the end, there's not much one can do except trying to lure single enemies into ambushes, but even that is almost impossible. There's a high random factor to damage, and the difficulty level gets really unfair really fast.

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Armageddon is, like the Mirinae game of the same title, based on the animated movie by Lee Hyunse. The game is a pseudo-3d space shooter like Wing Commander, though its production values are nowhere near Origin's series. Previously, LG had announced a more interesting-looking polygonal 3D game in cooperation with Ablex.

Like all of the Korean 3DO games by LG, Armageddon is extremely rare. LG originally announced a PC port of the game as well12, but never followed up on the promise.

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The only franchise that has been milked for more Korean games than Armageddon and Hong Gildong, is Agigongnyong Dooly (Baby Dinosaur Dooly). LG Media used the license for another cutesy platformer.

The result was a much more polished game than Doraon Yeongung Hong Gildong, though not quite as pleasing to the eye. Besides Dooly himself, one gets to chose between him and three more protagonists from the series, all with attack animations befitting of their characters. The differences are limited to the graphics and hit frames, each has basically a standard, dash and (limited) ranged attack.

Stage design feels a bit loose at times, but never uninspired, and there are some genuinely challenging platforming sequences. The enemies are a threat mostly because the hit detection still isn't quite transparent, and one gets hit faster than one would think. A rocket riding pseudo 3D sequence and snippets from the animated series in between stages help to mix up things.

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RTS game about rivaling prehistoric tribes. Inconventional elements like item and food management and a particularly cryptic interface make this challenging to play even when disregarding the language barrier.

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The development of Tahl started at LG, but it was published by Hanbit after the split. Like many Korean RPGs (Iljimae, Mangguk Jeon'gi) the scenario was based off the winning entry of a game writing contest contest13.

Looking at the game superficially, it looks just like a Diablo clone, although the dungeons are not generated randomly. There's also no safe hub for the player to recover and the game drops players right inmidst haunted ruins full of ghosts and zombies, making the game very difficult. A multiplayer mode is also missing, instead one gets to recruit (bad) AI controlled mercenaries.

Hanbit also announced a port for the PlayStation14 in cooperation with the Japanese company Urban Plan (who made the PSX port of the Double Dragon NeoGeo game)15, but it was never released.